Sean Shares a Host of Traditional Tattoos

I ran into Sean at the Foodtown in my neighborhood and when I stopped to talk to him about his tattoos (he has nine), I ended up with photos of several pieces, all of which reside on his left arm.

Most of the designs are traditional tattoo subjects, all of which were inked by Eli Quinters at Smith Street Tattoo Parlour in  Brooklyn. Work from Smith Street Tattoo has appeared previously on Tattoosday here.

First up is this amazing lighthouse:

Sean explained that this tattoo is for his mother, as this tattoo is based on her "favorite lighthouse," the Fastnet Lighthouse on the most southerly point on the coast of Ireland.

Then there is this owl tattoo:

This was done for no other reason that Sean has always liked owls. If you love owl tattoos, be sure to head over to this site.

Then there is the elephant tattoo:

He has this piece because "elephants never forget".

I know we posted a sugar skull yesterday, but here's another one:

This was all Eli's design. Sean gave him free reign and likes the fact that it is unusual in that there are not a lot of colors in it, like one sees in most sugar skull tattoos. For all that have appeared on Tattoosday previously, check this link.

There is also the traditional female figure, not modeled after anyone in particular, just done in a traditional style:

And Sean's last tattoo is this bat:

He told Eli that he "wanted something spooky" that included the moon. Quinters free-handed this piece, starting with a white Sharpie and then finished with a darker Sharpie before finishing the tattoo.

What's neat about all of Sean's tattoos is that they flow nicely together, as readers can see elements of many of the tattoos on the borders of the photos of specific designs.

Thanks to Sean for sharing these amazing tattoos by Eli Quinters with us here on Tattoosday!

Alyssa's Tattoos: A Little Bit of Art, A Little Bit of Soul

Generally speaking, New Yorkers tend to avoid speaking to one another on the subway, or the subway platforms. As one would imagine, you see a lot of great ink on the trains, and I've become less and less concerned when it comes to breaking the "don't talk to strangers on the subway" rule.

I met Alyssa on the subway platform at Court Street in Brooklyn and she shared two very interesting tattoos with me.

She first offered up this very interesting piece on the inner part of her upper left arm:


For the full effect, this is what the edges look like as they wrap around the arm:


This design is actually a replica of a bracelet she used to wear, a piece that was designed by her maternal grandfather. He was a jewelery designer by trade. The bracelet was constructed of sandcastle silver and inspired by Zuni art. The Zuni of the American Southwest are known for their skill in silversmithing.

I asked Alyssa why she chose a bracelet to be tattooed on her and she informed me, "I was coming back to who I was as a person" and that she wanted to put something artistic on herself. Incorporating an object that was an artistic creation of her grandfather made sense to her.

I was pleased when I asked her about this tattoo as well, and she kindly allowed me to take the picture:


This tattoo is on the back side of her upper right arm, and I was fascinated by its unusual design. She explained that a good friend of hers is an American Sign Language (ASL) translator, and that the figure is demonstrating the sign for "Soul". The way motion is depicted in the tattoo is completely brilliant, in my opinion.


Both tattoos were inked by Daniel Santoro at New York Adorned. He's now at Smith Street Tattoo Parlour in Brooklyn.

Thanks to Alyssa for sharing these lovely tattoos with us here on Tattoosday!