SRK

Lady Miscue of Delight

This was almost an orphan post, but I have enough to make it work.

Last month, I boarded the 2 train, downtown, and was standing next to a young lady with a colorful fairy on her upper right arm:


The woman's name was Elura, and she had this done at Daredevil Tattoo in Manhattan. Other work from Daredevil has appeared on Tattoosday previously here.

Alas, the train was noisy, and Elura was getting off at 14th Street, one station away. I asked her what the fairy was about, and she said, "She's Lady Miscue of Delight".

I scribbled that down and Elura said she would e-mail me with more detail. She never did and, try as I might, I couldn't figure out what looks like a fairy, and sounds like "Lady Miscue of Delight".

So that is what I will call her, until I have been corrected.

Regardless, thanks to Elura for sharing her tattoo with us here on Tattoosday!

UPDATE:

Jeremy, below, in the comments, suggested that perhaps Elura meant, Lady Miss Kier, of the musical group Deee-lite:



The photo indicates that may be correct. Thanks Jeremy!

Why Jay-Z Defies Ageism in Hip-Hop Music

The buzz and controversy surrounding Jay-Z’s single “D.O.A. (Death of Auto-Tune) ” this past summer, while putting the 39-year-year MC in the position of wrathful daddy against a new generation of rap artists—some reliant upon the voice gadget for relevance and sales—once again broached the issue of ageism within hip-hop music. Whether it was the Game’s swipe at the rap mega-star, leading European audiences in anti-Jay-Z chants of  “Old a-- n-----!”  Or T-Pain’s tirade against Jigga on stage at a Las Vegas nightclub (“Jay-Z is 59 years old. I don't think he has the right to say what's good and what's not…”).  The expiration date on a rap star’s career, particularly Jay’s, was the hot topic of blogs and barbershops. But unlike many a rap star who hit the age/time limits of the genre and slowly fade into history, Jay-Z continues to defy the rules of the aged rapper. Sitting atop the Billboard 200 for the past 3 weeks, headlining the much-lauded 9/11 benefit at Madison Square Garden, and interviews with Oprah and Bill Maher are undeniable proof that Jay’s iconic stature continues to expand where, under different circumstances, it would recede. How has he managed to stave off irrelevance while turning 40. What the heck does Jay have, besides money, that still makes him an exciting part of the genre. I’ve been waiting for someone to give some definite reasons, but since none have materialized I thought I’d give it a shot.

5). Duh. Jay-Z Has Mastered the Art of Satisfying both Hardcore Fans and the Mainstream.

I know. I know. That's a given. That’s why this one is last. But there have been his missteps in trying to adapt to a changing hip-hop landscape (most noted has always been the video for “Sunshine”).  But for the most part, Hov has been a master at making music that walks the fine line between hardcore and pop. (An easy task when considering that hardcore and gangsta has been pop for over a decade.) Not to mention that having marketing tools like radio, magazines and MT…oh, hell, let’s just say Viacom, in your pocket helps as well.

4). Growing His Image as a Corporate Player Has Been A Major Part of Building his Longevity.

Unlike, say, Master P, who built the bulk of his pop image as a mogul who played the industry (celebrity that faded with the fall of P’s No Limit label) Jay-Z used his growing corporate power as a way to void his expiration date. First he was the hot rapper. Then he was the hottest rapper. Next, he was the hottest rapper and co-owner of the freshest label and clothing/sneaker line. Finally, he retires (kicking that off with a platinum disc), ditches his label to head Def Jam and remains an industry player, signing the next generation of rap and pop music icons. During the two year hiatus he gets even more mainstream press and buzz from the street and…you get where this is going. In being the former drug dealer who maneuvered his way into the boardroom to become legit plays into Jay’s allure and mystique, an image that titillates both Hollywood and corner folk.

3).  The Rap Industry Still Follows the Book of Hova.

Where Jay was birthed by the architects of rap’s golden era—artists like Rakim, Kane and KRS, the current school of hip popper was inspired by rap’s golden age of money (1998-2000), which was heavily shaped by Jay-Z (helped, in part. by the departure of Biggie). Whether it’s Lil Wayne or Young Jeezy or Souljah Boy or any upstart looking to be the next rap street messiah, Hova ‘s “blueprint” for building and sustaining a loyal fan base has been (and is still being) borrowed.

2). Miraculously, He Maintains a Certain Power to Dictate What is (and What's Not) Cool.

Not long ago, we can remember Jay-Z influencing rap’s laundry list for the materialistic, injecting dreams of “ice” (and all the cold descriptions for diamonds) and Bentleys. Or, better yet, how Hov shut down the throwback jersey craze with the line, “I don't wear jerseys, I'm thirty plus. Give me a crisp pair of jeans, nigga button up.”  Well, given the uproar over “D.O.A.” and the challenges from younger artists defending their use of Auto Tunes, shows Jay still has the power to quickly upend the status quo. Besides, he has the money, influence and word-skill that none of the young’uns can match, which brings us to the top reason Jay defies ageism.

1). With the Dumbing-Down of Rap, Jay-Z Maybe Old but His Style Ain’t.

Used to be when a rapper was tagged “old” or washed up, folks were referring to the MC’s rhyme style and beats. Eventually, said rhymer was eclipsed by a young punk with innovation in her/his rhythmic poetry. Much the way Kool Mo Dee ‘s word-centered style ushered in the bygone days of crowd-focused MCs like Busy Bee.  Or Run-DMC’s hardcore minimalism erased the era of Bronx pioneers like the Furious 5. Or N.W.A’s gut-busting realism took the shine from the pioneers of rap’s golden era.  Being  dethroned meant your style was obsolete. But the genre no longer spins on an axis of creativity and style….and Jay-Z knows this, man. So it’s easy for him not only to uphold his status as the “Greatest Rapper Alive” (though President Obama maybe taking his spot…), but to write pop lyrics… or spank any upstart who wants to battle him, but has nothing in his arsenal other than the insult that Jay-Z is old.

If you disagree or have other reasons, speak your piece…

Magie's Unique Sugar Skull, Inked by Big Ant (1978-2008)

I was a happy little inkblogger last Friday night when I made it to the 4th anniversary group art show at Tattoo Culture in Williamsburg, Brooklyn.

Happy, because I got to meet the awesome Marisa Kakoulas from the fabulous Needles and Sins tattoo blog, along with the equally-cool Brian Grosz, who is also a major creative force behind the site.

And happy because I was in a bright room with art on the walls, created by talented tattooists, and I was surrounded by people with incredible body art.

But therein lies the conundrum: great tattoos, in a hip tattoo setting, are top quality and, despite Tattoosday's success, I am still reluctant to whip out the Polaroid digital camera when, for all I know, the ink around me may have been professionally photographed and featured in glossy tattoo magazines.

So I had resigned myself to leave sans photos, knowing I had a groovy time and was able to meet other tattoo writers, when I noticed a very interesting sugar skull on the back of a young woman's right arm. Voila:


Of course I chatted a long time with Magie before I asked her if I could snap a picture, so I learned a bit about the tattoo before I asked.

Magie Serpica is an artist and tattooist who works at the newly-opened Bound for Glory Tattoo Studio in Staten Island.


The shop was co-founded by Nick Caruso who also tattoos at Flyrite Studio in Brooklyn. One of Nick's tattoos appeared here back in July on Tattoosday.

One of Magie's paintings was hanging on the wall at Tattoo Culture:

(reprinted with permission of the artist)

We talked at length about tattoos, what she called an under-served market on Staten Island (they are the first full-custom shop) in the borough (no flash on the walls, please) and have a promising future ahead.

We also discussed how difficult it has been in the past to be a female tattoo artist, how frustrating it is not to be taken seriously, and how Kat Von D. and the multitude of tattoo reality shows have helped break down the stereotypes and allowed Magie, as a female artist, to receive more respect as an artist.

Like most tattoo artists, Magie is covered in ink, with no idea how many tattoos she has ("If you can still see skin, it's not enough").

The sugar skull in question was tattooed by Anthony Gregory, aka Big Ant, a Staten Island artist who tragically passed away last year after falling ill in Las Vegas (see the sad news reported here).


She had asked him to give her a sugar skull and she had a general idea about his style, so she gave him total artistic freedom. The end result was fascinating - a unique, almost post-modern interpretation of a classic tattoo design. The angled perspective and the depth to the eyes give this tattoo a greater three-dimensional feel than your standard sugar skull.

I also like how the rose is just as important as the skull, its stem wrapping around it and adding another layer of depth.

I thank the good people at Tattoo Culture for opening their doors and allowing me the opportunity to meet some great people.

A special thanks to Magie for sharing her awesome tattoo with us here on Tattoosday. Be sure to visit her in the new shop, Bound for Glory, in Staten Island.

Here's hoping we'll see more of their work in the future!

Sales Flics

Brooke Shows Off Her Zombie Ninja Poo

On a sunny September afternoon, I met Brooke outside of Penn Station.

She had several interesting tattoos, and she offered this one:


She referred to it as "Zombie Ninja Poo".

On the inside of her right wrist, this tattoo was inspired by the goofy video droppings of the ninja characters in one of her son's video games, Ninjatown.

She exercised a little creative license and zombified the design. The result was an undead mass of animated, um, turds.

Thanks to Brooke for sharing this unusual tattoo with us here on Tattoosday!

Graffiti Argentina à Paris Galerie Issue.

Quelques français : Horfe, LSK (Les Sarko Killers), 1dex, Sek, ...



Expositions en cours : voir la colonne de droite.





Lire l'article Graffiti Argentina

Avec "Graffiti Argentina", la galerie Issue de Paris met à l'honneur le graffiti Argentin.

















Les cinq artistes argentins Jazz, Mart, Gualicho, Caru et Poeta exposent une série d'oeuvres originales. L’occasion aussi de découvrir le livre Graffiti Argentina paru aux éditions Thames & Hudson.



Franco Fasoli (Jazz) est né à Buenos Aires. Après dix années de street art, il choisit de se concentrer sur la recherche personnelle d’images et de techniques.



Poeta a été élevé à Villa Balister dont il a recouvert les murs pendant neuf années. Son travail a toujours inclus des personnages aux sourires abstraits et aux yeux exceptionnels qui invitent le public à apprécier la beauté de la simplicité.



Gualicho est un ancien mot provenant de la culture indienne qui évoque un esprit maléfique vivant parmi les gens. Son travail est coloré et original. Il invente de nouveaux mondes où animaux, plantes et machines s'entremèlent.



Caru est né à la Plata et a vécu à Paris pendant quatre ans. Il est l’un des rares artistes qui participe à la création du mouvement Graffiti en Argentine. Soucieux des formes, il possède une grande maîtrise du volume, de la profondeur et de l’espace.



Aire peint dans la rue depuis plus de onze ans. Aujourd’hui, il expose ses toiles et continue à peindre sur des murs.



Graffiti Argentina

Du 3 au 30 octobre 2009

Du mardi au samedi de 12h à 20h



Galerie Issue

38 rue Quincampoix

F-75004 Paris



Sources :

http://www.lissue.com

http://www.lissue.com/blog